213. IS GOOD CONTEXTUAL WHEN IT COMES TO ART? - Aesthetics and Geography

“This conclusion doesn’t intend to demean our ideas of what we find good or bad in art. Rather it intends to expand our definition. Recognise that the thing we have written off before might only be written off because it was the wrong time or place to receive it. That everything can be given a second chance, or a third, or even a fourth if you are open to seeing what it is that others seem to appreciate but which you cannot, yet, seem to access.“

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