213. IS GOOD CONTEXTUAL WHEN IT COMES TO ART? - Aesthetics and Geography

“This conclusion doesn’t intend to demean our ideas of what we find good or bad in art. Rather it intends to expand our definition. Recognise that the thing we have written off before might only be written off because it was the wrong time or place to receive it. That everything can be given a second chance, or a third, or even a fourth if you are open to seeing what it is that others seem to appreciate but which you cannot, yet, seem to access.“

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148. THINKING ABOUT WORLD BOOK DAY - How Reading Is More Than The The Fetishisation of Books

“Instead of asking what we are reading on World Book Day, we ought to raise the level of questioning: what are we reading and how is it changing us? What is it making us think? What questions are the book raising? Even if the answer is, to all these questions, not a lot (I am unchanged, not thinking about anything, and asking no questions), to ask them makes us perhaps realise that some books are like junk food while others are more nutritious.“

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73. OF NESTS AND PALIMPSEST - Am I Really Making An Aesthetic Choice?

“I have always loved chaotic collage and my childhood bedroom walls quickly became an ever-evolving palimpsest of posters, pictures, postcards, photos, and things I’d cut out of newspapers or magazines, their content adapting over the years alongside my tastes but generally maintaining the same ragged aesthetic; an aesthetic initially limited to a single cork noticeboard on a nicely painted wall but eventually sprawling out and taking over everything until, at one mad point, I was even hanging posters upside down on my ceiling, occasionally waking startled in the night as they lost their battle with gravity and came crashing down on my face.“

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